The Great Upheaval: Modern Art from the Guggenheim Collection Opens in New York


NEW YORK, NY.- When Vasily Kandinsky and Franz Marc formed the group Der Blaue Reiter (The Blue Rider) in late 1911, the artists predicted a watershed in the arts, a große Umwälzung (great upheaval) that would radically challenge traditional artistic production. Tremendous creativity and innovation characterized the years leading up to World War I. European cities were evolving, and the artistic avant-garde likewise adapted and responded to twentieth-century modernity, from its spectacles and technological feats to the social fragmentation and alienation of the modern metropolis. Cubism achieved recognition in Paris, sparking new directions in France, Italy, the Netherlands, and Russia. Art’s more expressionistic manifestations were at an equally momentous stage in Germany and Austria; Kandinsky wrote his influential treatise Über das Geistige in der Kunst. Insbesondere in der Malerei (On the Spiritual in Art: And Painting in Particular) in late 1911, and abstraction took h