LONDON.- For his first solo exhibition at the Lisson Gallery, Ryan Gander has created a body of work which takes the viewer on a pin-ball like journey through an idiosyncratic history of art, film and media. Whether you enter the living room of Ernö Goldfinger, stumble upon Degas’ Dancer, narrowly miss a shower of arrows piercing the gallery floor, or attempt to flee via an escape hatch in the ceiling, each work leads you into a different perceptual space. Gander’s intention to disrupt the perceived limits of the gallery is made apparent with his large-scale installation I taught myself how to grow, 2010 on the glass façade of the gallery. The image looks like advertising for tanning salons: a silhouetted woman stands under a palm tree, turning towards the sun. The image is a cliché of a holiday paradise but here created using thousands of highly coloured