LONDON.- Already acknowledged as one of the most distinctive of the ʻNewspeak’ painters, British artist Ryan Mosley’s first major solo exhibition opened at Alison Jacques Gallery. Admired for what Art Review has described as ‘hyperfigurative psychocubism’, and an approach to painting which is at once both historical and fantastical, Mosley’s work simultaneously acknowledges a profound debt to the received genres and traditions of art history and an exuberant willingness to subordinate such categories to a uniquely personal painterly vision. This exhibition develops Mosley’s ongoing fascination with the aesthetics and motifs