Although Sol LeWitt never learned to speak Italian because of poor hearing, he could read it and write it. According to his widow, Carol, he studied the conjugation of verbs intensely to avoid using an improper formulation. His ties to Italy could not have been stronger. His first Italian journey was to Naples, in 1950, and, beginning in the early ’70s, he traveled the country extensively, familiarizing himself with its historic art and architecture, and meeting artists, collectors and owners of galleries showing contemporary art. His wall drawings are a continuation of the venerable Italian wall-painting tradition.
Read the entire article at ArtInAmerica.com