ZURICH.- In Untitled (Wollfilm) (1992), a female torso turns in a central window in a much larger and dark projection plane. With each movement, a thread, which is clearly being pulled from outside the frame, unravels another row of stitches in her woollen pullover. After a time, the background picture plane, which becomes identifiable as a stitch, begins to separate from top to bottom until the naked torso becomes one with the empty projection plane. In this video, Rosemarie Trockel calls into question important art-historical conventions and codes and models from the history of ideas and gender stereotypes with a witty formal ease and meticulous attention to detail. Rosemarie Trockel, who was born in Schwerte, Germany, in 1952, has been producing her stylistically heterogeneous works in a wide range of media since the 1970s. Her oeuvre, which has assumed an important and unique position at international level and encompasses drawings, two and three-dimensional picture and mate