MONTREAL.- While Vancouver and Toronto may have boasted the most vibrant art scenes in Canada in the 1980s and 1990s, Winnipeg took over in the 2000s, spurred on by artist Marcel Dzama. He quickly carved out an international reputation for his unclassifiable, disconcerting art that reveals a fanciful, anachronistic world. Marcel Dzama – Aux mille tours (Of Many Turns), which offers a critical survey of his haunting yet outrageous work, is the largest solo exhibition of Dzama’s art by a public gallery. It will be presented at the Musée d’art contemporain de Montréal from February 4 to April 25, 2010. The exhibition contains some sixty pieces produced over the last three years, including several new works specially created for this event. It comprises a sketchbook, drawings, collages, dioramas, paintings and films, and examines the artist’s favourite themes: nostalgia, early modernism and the relationship between