BERLIN.- Being Singular Plural: Moving Images from India is oriented toward co-producing new work, facilitating research, and assembling a community of practitioners. A resolutely heterogeneous and ultimately unresolved exhibition, it attempts to avoid some of the pitfalls of surveying contemporary production in a given region. The exhibition brings together a number of moving-image works by a select group of media practitioners who currently live in India and who are working in film or video rather than “new media.” These images do not serve as windows onto the world, nor point to any transcendent truths, but are presented as they are, distinguished by their evidence. Jean-Luc Nancy formulates the screen as a “sensitive membrane [that] stretches and hangs between a world in which representation . . . [is] in charge of the signs of truth, of the heralding of a meaning, or of the warrant of a presence to come; and another world that opens onto its presence throug