University at Buffalo Charles Clough: The Way to Clufffalo March 31–May 19, 2012 University at Buffalo Art Gallery, Center for the Arts The State University of New York at Buffalo www.ubartgalleries.org Charles Clough’s experiments with additive and subtractive paint applications are often filtered through an array of media and information technologies. His invocations of the…
NEW
YORK, NY.- From James Rosenquist, one of our most iconic pop
artists—along with Andy Warhol, Jim Dine, Claes Oldenburg, and Roy
Lichtenstein—comes this candid and fascinating memoir. Unlike these artists,
Rosenquist often works in three-dimensional forms, with highly dramatic shifts
in scale and a far more complex palette, including grisaille
and Day-Glo colors. A skilled traditional painter, he avoided the
stencils and silk screens of Warhol and Lichtenstein. His vast canvases full of
brilliant, surreally juxtaposed images would influence both many of his
contemporaries and younger generations, as well as revolutionize
twentieth-century painting.
