NEW YORK, N.Y.- The permeable boundary between the real and the imagined is the subject of Real/Surreal, at the Whitney Museum of American Art. A close look at the interconnection between two of the strongest currents in twentieth-century American art, the exhibition includes eighty paintings, drawings, photographs, and prints made in the years before, during, and immediately after the Second World War by such artists as Paul Cadmus, Federico Castellón, Ralston Crawford, Mabel Dwight, Jared French, Louis Guglielmi, Edward Hopper, Man Ray, Kay Sage, George Tooker, Grant Wood, and Andrew Wyeth. Organized by Whitney curator Carter Foster. An international movement in art and literature, Surrealism originated in Europe in the 1920s. Its practitioners tapped the subconscious mind to create fantastic, non-rational