NEW YORK, NY.- Priska C. Juschka presents Romain Bernini’s first solo exhibition in the United States. His beautifully haunting paintings reflect a state of entropy, Robert Smithson’s idea of the ruins — a dystopian sociological landscape born of the debris of post modern societies, disillusioned with the merits of industrialism and the idea of a utopian state. His paintings encompass a range of ambiguities, drawing their audience into a foreboding landscape, simultaneously hovering between the familiar and the unknown, the intentional and accidental, between action and paralysis. The viewer finds oneself at times alone in a post-apocalyptic environment or with other individuals, migrants and immigrants aimlessly or aggressively overcoming the artificial boundaries of contemporary civilizations. Bernini’s figureless landscapes become enigmatic reminders of what their inhabitants leave behind, tre