Providence, Rhode Island.- Inspired by the fear and panic engendered by the terrorist attack of September 11, 2001, the Museum of Art Rhode Island School of Design’s exhibition, “Nancy Chunn: Chicken Little and the Culture of Fear”, is a series of paintings that represents the media sensationalism infecting our current political and cultural landscape, feeding our fears, and inducing feelings of powerlessness. The exhibition remains on view through April 15th 2012. Chunn’s allegorical narrative features 339 cartoon-like paintings that reimagine the folk fable of Chicken Little. Chunn portrays Chicken Little’s exaggerated fears, (“The sky is falling!”), in a graphic style—adapting found clip art images to represent a Kafkaesque world in which danger seems to lurk around every corner.
Mapped out in 2004 as a 10-year project, her 11-scene cycle—six of which will be on view at the RISD Museum of Art—takes on such contemporary issues as environmental disasters, road rage, healthcare, poverty, and crime, and shows how coverage by print and broadcast media exacerbate our fears. Despite the seriousness of her concerns, Chunn’s cultural critique is infused with a remarkable sense of humor and visual invention. “A self-proclaimed ‘news junkie,’ Chunn’s reworking of the Chicken Little fable makes us keenly aware of the foibles of our own time,” says Judith Tannenbaum, Richard Brown Baker Curator of Contemporary Art. “Infusing visual invention with great wit, she enables us to gain new insights about what makes our society tick, for better or worse—from everyday domestic incidents to the grand political themes of the day.”
Chunn’s previous works explore historical and current geopolitical scenes on well-researched topics, inventing a variety of new pictorial vocabularies that provide a relationship between each subject and its presentation. For her version of Chicken Little, which is based on found images from different decades, Chunn appropriates imagery generated by the culture she is critiquing.
The format of dozens of small canvases mimics the frame-by-frame channeling of the 24-hour news cycles. Each scene is comprised of numerous canvases in different sizes, grouped on top of a colorful amoeba shape painted directly on the wall. The scenes on view in the Museum’s Lower Farago Gallery are “The Bathroom (Scene II)”, with its products and accidents; “The Bedroom (Scene IV)”, with the booby traps of the contemporary home; “The Road (Scene VI)”, with its portrayal of road rage; “The ER (Scene VII)” and all its chaos; “The Main Hospital (VIII)”, where, instead of safety, Chicken Little finds new fears related to the uncertainties of healthcare and medical research; and “Poor Town (Scene X)”, a poverty-stricken mirror of middle America’s worst fears. Nancy Chunn was born in Los Angeles in 1941 and received her BFA from the California Institute of the Arts in 1969. She moved to New York in the late 1970s. Chunn received a Guggenheim Fellowship in 2009, An Anonymous Was a Woman Award in 2005, and National Endowment for the Arts Fellowships in 1985 and 1995. She has been represented by Ronald Feldman Fine Arts since 1985.
Southeastern New England’s only comprehensive art museum, the Museum of Art Rhode Island School of Design (also known as the RISD Museum) was established in 1877. Its permanent collection of more than 86,000 objects includes paintings, sculpture, decorative arts, costume, furniture, and other works of art from every part of the world—including objects from ancient Egypt, Greece, and Rome, and art of all periods from Asia, Europe, and the Americas, up to the latest in contemporary art. The Museum also offers a wide array of educational and public programs to more than 100,000 visitors annually. Visit the museum’s website at … http://www.risdmuseum.org