MUNICH.- Choreography – meaning the proposition for a sequence of movements – is the common denominator between art and dance in the exhibition “Move”. The works brought together here choreograph the visitor: They guide his or her movements and invite to physical experiences that transform the viewer into an active participant. Some works are also activated by a group of dancers or performers for the exhibition’s entire duration. An obvious example of the combination of installation and visitor participation is William Forsythe’s “The Fact of Matter” (2009), a choreographic object composed of 200 gymnastic rings that hang at various heights from the ceiling. The visitor can move across the room using these rings without touching the floor, thereby putting his strength and flexibility to the test. Forsythe thus provides a structure for a variety of possible movements. Christian Jankowski pursues the same playful approach with his invitation to hula hoop in the