FRANKFURT.- Ironic, provocative, witty—since his beginnings in New York’s East Village in the early 1980s American artist George Condo has produced a distinctive body of work. His paintings, characterized by mordant humor, surrealist-tinged absurdity, and exuberant pathos, make repeated reference to the traditions of American and European art history of the last 500 years, from Velázquez by way of Picasso to Gorky. In partnership with the Hayward Gallery in London and curated by Hayward Director Ralph Rugoff, the Schirn presents a comprehensive retrospective of Condo’s art. Condo works in a style that can be described as artificial realism, and both his paintings and sculptures display his ongoing examination of human physiognomy and all-too-human mental states. Organized thematically and stylistically in groups, sixty-six important paintings from different creative periods, as well as a selection of roughly ten