NEW YORK, N.Y.- Sarah Sze (born 1969, U.S.) is known for her elaborate installations in which everyday materials—such as plastic bottle caps, sheets of paper, strings, tape measures, cotton swabs, and scissors—are hung from the ceiling, mounted in corners, or nestled into discreet spaces. Sarah Sze: Infinite Line is the first exhibition to focus specifically on Sze’s work from drawings to sculpture to installation. Sze combines spontaneity and systemization in her work, which often suggests movement and the ephemeral. Energized chaos becomes painstaking order, when, upon closer inspection, seemingly turbulent scenarios reveal precisely placed objects. Her intimate, sculptural installations invite viewers to reevaluate their relationship to their surroundings. The exhibition is divided into two parts. A smaller gallery houses earlier works on paper including graphite, ink and collage, lithograph and silkscreen. Some are unconventional portraits in which Sze asked e