Cincinnati, Ohio.- The Cincinnati Art Museum is proud to present “Monet in Giverny: Landscapes of Reflection” on view through May 13th. Through twelve major paintings only on view at the museum, this exhibition will examine the range of Impressionis…
PHILADELPHIA, PA.- The Philadelphia Museum of Art has acquired three important French Impressionist paintings by Claude Monet, Camille Pissarro, and Alfred Sisley, and a pastel by Mary Cassatt, the Pennsylvania native and American expatriate who beca…
Little Rock, Arkansas.- The Arkansas Art Center is proud to present “The Impressionists and Their Influence” until June 26th. Organized in conjunction with the High Museum of Art in Atlanta, this exhibition brings together beautiful paintings and in…
NEW YORK, N.Y. (REUTERS).- A pristine Monet masterpiece from the artist’s celebrated “Poplars” series will be featured at Christie’s in May, when it is expected to sell for as much as $30 million, the auction house said on Friday. “Les Peupliers,” the …
PORTLAND, ORE.- For a limited time—now through January 31—visitors to the Portland Art Museum will have a unique opportunity to view four major canvases by French Impressionist Claude Monet (1840 – 1926). The four paintings are hung in c…
GENEVA (AP).- Ernst Beyeler, whose early
eye for undervalued Picassos and Impressionists helped him assemble one of
Europe’s most famous art collections, has died, his Beyeler Foundation said
Friday. He was 88. Beyeler died Thursday evening at his home near Basel, said
the museum, which he created 13 years ago out of his sprawling gallery of
masterpieces. Beyeler, the son of a Swiss railway employee, became a
widely respected art patron after World War II by acquiring hundreds of works by
Pablo Picasso, Paul Cezanne, Claude Monet, Henri Matisse and others. He
presented them to the public in his Basel gallery and later in the foundation he
founded near the German border. Funeral arrangements were not immediately known.
MADRID.- The Museo Thyssen-Bornemisza and Fundación Caja Madrid are presenting the exhibition Monet and Abstraction. It offers a survey of the work of the great French Impressionist painter from an innovative perspective and one never previously employed in the context of a temporary exhibition of this scale and importance, namely the artist’s relationship with the development of abstraction in the second half of the 20th century. From his ethereal London landscapes to the monumental depictions of his garden at Giverny where he spent the last forty years of his life, the exhibition looks at how Claude Monet’s permanent obsession with capturing the instantaneous led him to break down pictorial representation to the point of reaching the threshold of abstraction. It also analyses how, around the middle of the 20th century, the young generation of European and American abstract artists rediscovered his art and elevated the fig
