Author: Darko Topalski

Ryan Mosley’s First Major Solo Exhibition at Alison Jacques Gallery

Ryan Mosley - "Taking Care of the Crops", 2009 - 2010. Oil on linen, (244 x 305 cm.) - Courtesy: The Artist and Alison Jacques Gallery

LONDON.- Already acknowledged as one of the most
distinctive of the ʻNewspeak’ painters, British artist Ryan Mosley’s first major
solo exhibition opened at Alison Jacques Gallery.
Admired for
what Art Review has described as ‘hyperfigurative psychocubism’,
and an
approach to painting which is at once both historical and fantastical, Mosley’s
work simultaneously acknowledges a profound debt to the received genres and
traditions of art history and an exuberant willingness to subordinate such
categories to a uniquely personal painterly vision. On exhibit until 13
February, 2010.

Lanning Gallery to Show “Lost & Found” Unique Object Art

Elizabeth Frank - Large Angel, Wheel of Life - 36"h x 35"w x 7"d - wood, tin, acrylic, wax Courtesy of Lanning Gallery, Sedona AZ.

SEDONA, AZFor its “1st
Friday Gallery Tour” reception on February 5th, 5-8 pm, Sedona’s Lanning Gallery
celebrates art that begins not with a blank canvas,
the usual
‘something from nothing’ one associates with artistic creation, but with art
that represents ‘something from something else.’ Found object art can make potent
statements about resurrection and reinvention and four of the gallery’s most
individual artists make this process into, literally, a fine art.

Royal Collection Announces Exhibition of Dutch Landscapes

Aelbert Cuyp (1620-1691) - "The Passage Boat", 1650's - Photo: Royal Collection (c) 2010, Her Majesty Queen Elizabeth II.

LONDON.- This exhibition of 42 paintings draws on
the Royal Collection’s rich holdings of Dutch 17th-century landscapes, including
works by Jacob van Ruisdael, Aelbert Cuyp, Jan van der Heyden and Meyndert
Hobbema.
By the 17th century, landscape painting was well established
as a distinct art form and one in which Netherlandish artists excelled. The fine
detail and meticulous finish of Dutch pictures appealed to British taste, and 34
of the works in the exhibition were acquired by George IV when Prince Regent
between 1809 and 1820. The ability of Dutch artists to depict mood and emotion
through landscape and the subject matter drawn from everyday life influenced the
great British painters John Constable and JMW Turner. Constable admired the
‘acres of sky expressed’ in Ruisdael’s Evening Landscape: A Windmill by a
Stream, and on seeing a seascape by Willem van de Velde the Younger, Turner
remarked, ‘Ah! That made me a painter’.

Sprüth Magers in Berlin to Show Family Portraits by George Condo

George Condo - "Central Park", 2009 - Oil on linen, (198.12 x 193.04 cm) 78 x 76 inches. © George Condo / VG Bild-Kunst, Bonn 2010 Courtesy: Sprueth Magers Berlin / London

BERLIN.- Monika Sprüth and Philomene Magers
present an exhibition of new works by George Condo.
At the opening of
the gallery in Berlin in October 2008, large-format drawings by the artist were
displayed in the cabinet on the upper floor; now with the exhibition ‘Family
Portraits’, Condo is continuing the discourse on the figurative element in
painting, which is one of the fundamental aspects in the artist’s oeuvre. George
Condo, who already in 1984 had his first solo exhibition at the Monika Sprüth
Galerie in Cologne, resided at the beginning of the 1980s for an extended period
in Cologne and moved within the context of the Junge Wilden. On view 30
January through 1 April, 2010.

The Bowes Museum Displays Intriguing Painting that was Part of Altarpiece

Sassetta, "A Miracle of the Sacrament", c.1423-25 - In the Bowes Museum Collection

COUNTY DURHAM, UK – One of the oldest and most
intriguing paintings in The Bowes Museum’s collection is the focal point of a
new display which opened this Saturday, 23 January. The small panel, A Miracle
of the Sacrament by Sassetta,
painted in Siena c1423-25, has a
dramatic tale to tell. It shows a cleric, struck dead as he is offered the Host
during Mass.
Even more dramatically, a devil swoops down to snatch his
soul as it leaves his body. Amazingly, the panel that alludes to the death of
John Wycliffe, from Teesdale, is the very painting that ultimately ended up in
the collection of The Bowes Museum – and now its true meaning can be explained.

Visitor tears Picasso’s ‘The Actor.’ How can the Met fix this masterpiece ?

Picasso's 'The Actor' was painted in the winter of 1904-'05 - and was damaged by a clumsy art lover 105 years later. Collection of the Metropolitan Museum of Art , New York

New York City – Art restorers at the
Metropolitan Museum of Art in New York will soon begin repairs to a prominent
Pablo Picasso painting damaged by a visitor last week in an unusual
accident.
A visitor
attending a class at the museum last Friday lost her balance and fell into the
canvas, creating a 6-inch tear in the lower right hand corner of “The Actor,” a
more than 6-foot tall painting depicting a pink-hued acrobat.

The painting was immediately taken to
the Met’s paintings conservation department, where masterpieces are brought for
cleaning, restoration, and in rare cases, repair, the museum said in a
statement. Some reports put the painting’s value at $130 million. Another
Picasso picture from 1905, “Garcon à la Pipe,” sold for $104.2 million at
Sotheby’s in 2004.

Walton Ford to Show His Brilliant ‘Bestiarium’ in Europe for the First Time

Walton Ford: Falling Bough, 2002 - Watercolor, gouache, ink and pencil on paper, 158 x 307 cm. - © Walton Ford

BERLIN.-A troop of monkeys celebrate a
feast, a panther wanders across a snowy Alpine landscape and a pack of white
wolves surround a buffalo dripping blood in a manicured French garden. At first
glance
Walton
Ford
’s large-scale animal watercolour paintings
evoke prints by French and British colonial-era illustrators from the 19th
century.
After closer examination however, they reveal a pictorial
universe of complex and disturbing allusions. The various tigers, lions, birds
and primates that populate the life-size pictures appear as vivacious
protagonists locked in allegorical struggles. The resulting combination
of historical fact, natural history inquiry and surreal imaginings give rise to
Walton Ford’s brilliant ‘Bestiarium’.

Long Beach Museum of Art Celebrates 60th Anniversary of the Museum’s Impressive Collection

Hans Burkhardt - The Final Pilgrimage, 1956 - Oil on linen, 32 x 42. Gift of Mrs. Hans G. Burkhardt - Courtesy of The Long Beach Museum of Artist

LONG BEACH,
CA.-
The Long Beach Museum of
Art
announced that 2010 marks the 60th
Anniversary of the Museum’s impressive permanent collection.
To
celebrate this exciting milestone, the Museum will present an extended
exhibition series titled Celebrating Sixty, which will feature eight rotating
exhibitions that respectively highlight specific elements of the rich history of
the Museum’s collection.The first
installment of Celebrating Sixty will offer a glimpse into the past of the Long
Beach Museum of Art when they open to the public on Friday, February 5,
2010.
The exhibitions will highlight the extraordinary legacy of the
Museum, offering the public an opportunity to view a variety of works from the
permanent collection and gain a more thorough understanding of the tremendous
impact that the Museum has had on the history of contemporary art in Southern
California since 1950. Many of the works presented in Celebrating Sixty have not
been seen in decades.

Kiasma presents Olav Christopher Jenssen ~ a Contemporary Norwegian Painter

Berlin-based Norwegian painter Olav Christopher Jenssen's exhibition view of Panorama. Courtesy of Kiasma in Helsinki

HELSINKI.-The 2010 main exhibition series
in
Kiasma will be launched by the Berlin-based
Norwegian painter Olav Christopher Jenssen’s exhibition, Panorama.

Presenting the latest work by the internationally renowned and
constantly innovative painter, the exhibition also demonstrates that painting
remains an extremely interesting and vibrant form of contemporary art.

We have the pleasure to invite a representative of your staff to meet the artist
and view the exhibition from 11am on Thursday, 28 January in Kiasma. The artist
will be available for interviews.

Katrin Bellinger of Colnaghi to Show Drawings at Le Salon de Dessin

Giovanni Domenico Tiepolo (1727-1804) - "Allegorical Scene" - Brush and brown ink, brown wash, 205 x 380 mm.

LONDON.-Katrin Bellinger, celebrating
twenty-five years as a respected dealer in Master Drawings in Munich and at
Colnaghi in London, will present an important
group of drawings at Le Salon du dessin at the Palais de la Bourse, Place de la
Bourse, Paris, to Monday, March 23, 2010.
This major event
attracts museum curators, collectors and lovers of drawings to Paris to meet the
top dealers in the field.Katrin’s
group of some thirty drawings will focus mainly on works by French and Italian
artists, most of which come from two private collections and have not been seen
on the market for over 30 years.
Some of the best-loved French 17th and
18th century painters will be represented. A black chalk drawing by Jean-Honoré
Fragonard (1732-1806), a pupil of Boucher, will be shown in Paris, which
illustrates Ariosto’s 16th century epic poem, Orlando Furioso: Sacripante is
Foiled while Attempting to Ravish Angela, one of 176 known drawings from the
series.

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