Author: Darko Topalski

Audubon’s Final Achievement ~ “The Viviparous Quadrupeds of North America”

John James Audubon - Northern Hare (Winter) - From the Imperial Folio edition of The Viviparous Quadrupeds of North America. Hand-colored stone lithograph by J. T. Bowen, Philadelphia, 1845

AUBURN, AL.- Jule Collins Smith Museum of Fine Art announces
that the Louise Hauss and Davis Brent Miller Audubon Gallery will be
closed for renovation February 15 through March 26 to allow for an upgrade of
the lighting system. We are installing new track lights that will provide more
flexibility in illumination of the exhibitions and ensure better control over
light levels and UV filtering to further safeguard the collections. We
apologize for the inconvenience, but think you’ll be delighted with what you see
at the grand reopening of the galleries — an exhibition based on one of JCSM’s
Audubon treasures, never before exhibited at the museum.
On
view 27 March through 3 July, 2010.

Haunch of Venison to show New Work by Indian Artist Jitish Kallat

Jitish Kallat - "Haemoglyphics" (Archipelago of Aches), 2009 - Oil and acrylic on linen, bronze - 203.2 x 457.2 cm. - © Jitish Kallat 2010

LONDON.- Haunch of Venison London will present an
exhibition of new work by the Indian artist Jitish Kallat. Following his
acclaimed exhibition at Haunch of Venison Zürich in 2008, Kallat’s new work
showcases the full range of his visual vocabulary incorporating video,
sculptural installation, photography and the large format paintings for which he
is best known.
Tackling his foundational themes of sustenance, survival
and mortality in the contemporary urban environment of Mumbai, Kallat offsets a
vivid, hand-made aesthetic with digitised renderings of streets fit-to-burst,
where the cumulative impression of daily existence is pushed to the
extreme. On view 15 February through 27 March, 2010.

Musée d’art contemporain de Montréal hosts Survey of Marcel Dzama’s Outrageous Art

Marcel Dzama - 'We Shall Be Given Back to the Old Disharmony', 2009 - Oil on board, 22,9 x 30,5 cm. Avec l’aimable permission de l’artiste et David Zwirner, New York. Courtesy of the artist and David Zwirner, New York.

MONTREAL.- While Vancouver and Toronto may have boasted
the most vibrant art scenes in Canada in the 1980s and 1990s, Winnipeg took over
in the 2000s, spurred on by artist Marcel Dzama. He quickly carved out an
international reputation for his unclassifiable, disconcerting art that reveals
a fanciful, anachronistic world. Marcel Dzama – title (Of Many Turns),
which offers a critical survey of his haunting yet outrageous work, is the
largest solo exhibition of Dzama’s art by a public gallery. It will be presented
at the Musée d’art contemporain de Montréal from February 4 to April 25,
2010.

Michael Werner Gallery exhibits Paintings by Swiss Artist Félix Vallotton

Félix Vallotton - "Femme en torse tenant sa chemise", 1905 - Oil on canvas, 23 1/2 x 19 3/4 inches, 60 x 50 cm. Photo: Courtesy Michael Werner Gallery.

NEW
YORK, NY.-
Michael Werner Gallery presents an exhibition of
paintings by Swiss artist Félix Vallotton (Lausanne, 1865 – Paris,
1925).
The exhibition features portraits of women, primarily nudes, and
is the first gallery exhibition in New York devoted to the artist’s paintings.
Félix Vallotton’s paintings do not give pleasure easily. In portraiture he is
not a flashy virtuoso and his nudes are not “sexy”, at least not in any typical
fashion. His paint handling is careful and deliberate; his palette, subdued and
a little flat; his surfaces, slow and at times somewhat dry. His intense,
unforgiving attention to detail lends a palpable realism to the paintings.
Enlivened by a thinly veiled eroticism, his subtly voyeuristic scenes leave one
feeling more than a little uncomfortable. Paintings of Félix Vallotton is on
view from 4 February to 10 April 2010.

Flamenco & Photography Celebrated at Aperture Gallery in New York

María Pagés,1994 - Photo: Carlos Saura - Photo: Courtesy Aperture Foundation, New York

NEW
YORK, NY.-
Aperture Foundation, a non-profit arts institution
dedicated to promoting photography, and Instituto Cervantes
, a
non-profit organization that contributes to the cultural advancement of
Spanish-speaking countries, have partnered to celebrate and interpret
the art of flamenco through photography in two concurrent exhibitions opening
February 4 and 5 at Aperture Gallery and Instituto Cervantes respectively, just
prior to the launch of the 10th annual New York Flamenco Festival on February
11. Exhibition on view through 1 April, 2010.

Recent Works by Cy Twombly Showcased at the Portland Art Museum

Cy Twombly - Untitled, 2007, from Blooming, A Scattering of Blossoms & Other Things -  Acrylic on panel, The Broad Art Foundation, Santa Monica. © Cy Twombly. Courtesy: Gagosian Gallery.

PORTLAND, OR.- Among the most important and
influential artists of his generation, Cy Twombly has used mark-making and
written language as the core of his artistic practice since the late
1950s.
Twombly’s work has come to define an important branch of
gestural abstraction that conflates painting and poetry, line and word. The
exhibition showcases three recent works—two virtuosic paintings and a bronze
sculpture—that illuminate the artist’s continuing engagement with process and
content, the immediacy of materials, and the continuum of history.

Record Attendance Marks Opening of 14th American International Fine Art Fair

Ken Howard - "Rain Effect S. Marco", 2009 - Oil on canvas - Signed, 101.6 x 121.9 cm. 40 x 48 inch - Courtesy Richard Green Gallery, London

PALM BEACH, FL.- International Fine Art
Expositions (IFAE) founders and AIFAF organizers David and Lee Ann Lester
reported that a record 5,100 collectors attended the opening Vernissage honoring
the Norton Museum of Art Tuesday evening at the Palm Beach County Convention
Center.
Sales during the first day of the fair indicate that the US art
economy is rebounding strongly – consistent with very strong auction sales in
New York on Wednesday – where a Giacometti sculpture sold for a record $105
million – a new high for any work of art. The American International
Fine Art Fair continues its run through February 8.

Exhibition Examines Waste and Recycling As Contemporary Art

Regina Jose Galindo - (We don't lose anything by being born), 2000 -  Image courtesy of prometeogallery di Ida Pisani

HUESCA, SPAIN – The first notions that usually
come to mind when considering garbage, waste and deterioration are generally
negative, when not outright nauseating. We are aware of the physical and
chemical processes of the matter around us, beginning with the cycles of nature
itself, including industrial processes, technical constructions and manufactured
consumer items, and ending with the very materiality of the human being as a
living organism.
This crisscrossing of elements and activities-which,
after all, is what makes the human being civilized and cultural, negotiating and
struggling to domesticate and exploit the landscape and the ecosystem, the
planet, in short-generates endless reactions, overpopulation and overproduction,
upsets and imbalances, and therefore waste, before which we often do not know
how to react or that, metaphorically, but also in the practical reality, we end
up sweeping under the rug and looking the other way.

First Solo Show in London in 5 Years for Kenneth Anger at Sprüth Magers

Kenneth Anger, Filmstill -  'Invocation of my Demon Brother', 1969 - 16 mm film. © Kenneth Anger. Courtesy: Sprüth Magers Berlin London

LONDON.- Sprüth Magers London announced an exhibition
of work by the legendary filmmaker and artist Kenneth Anger, in his first solo
show in London in over five years.
Making films continuously since the
late 1940s and considered a countercultural icon, Kenneth Anger is widely
acclaimed as a pioneering and influential force in avant-garde cinema. His
groundbreaking body of work has inspired cineastes, filmmakers and artists
alike. Many channels of contemporary visual culture, from queer iconography to
MTV, similarly owe a debt to his art. On view 19 February though 27
March, 2010.

The New York State Museum features “Birds of New York”

This watercolor, titled Red-Throated Loon , Common Loon, Arctic Loon, 1906-1909, by Louis Agassiz Fuertes, on exhibition Birds of New York and the Paintings of Louis Agassiz Fuertes at the New York State Museum. - New York State Museum photo.

ALBANY, NY.- Birds of New York and the Paintings of
Louis Agassiz Fuertes opened at the New York State Museum, showcasing the
original watercolors painted a century ago by one of America’s foremost science
artists.
The exhibition, in the Museum’s Crossroads Gallery,
will be open through September 6th.
It features  40 of more than
100 paintings that Fuertes created to illustrate Birds of New York, a monumental
book that combined beautiful art and scientific scholarship. The first edition
of the book will be on display, along with a print portfolio and specimens from
the Museum’s ornithology collection.

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