LONDON.- The impact of digital technology on print photography and music production is the subject of ANALOG at Riflemaker, Soho from 10 January 2011. The exhibition invites us inside the last of London’s photographic darkrooms as well as taking a visit to a working reel-to-reel music studio, courtesy of an installation by Lewis Durham of the band Kitty, Daisy & Lewis. In 2006, when Richard Nicholson began photographing London’s professional darkrooms there were some 214 still in existence; when he completed the project four years later only 5 remained. In these labs many of the iconic images of 20th-century culture were processed, from the high-contrast b/w prints of the cast of Trainspotting to lith portrait album covers for U2. Analogue aficionado Lewis Durham’s reel-to-reel recording studio to be installed at Riflemaker includes equipment from the legendary