NEW YORK, N.Y. (AP).- A century ago, Sonia Delaunay and her husband, Robert, were brash young innovators in the avant-garde art world of Paris, exploring the idea that contrasting colors could be used to create a sense of movement and rhythm in art. Sonia, who was intent on merging art and everyday life, applied this principle of “simultaneity” (color suggesting motion) to clothing, which naturally moves and flows with the body. She says she realized the potential of fabric in 1911, when she made a patchwork quilt for her newborn son and saw that it evoked the abstract patterns of cubist art. In the next decade, she began making dresses in bold, geometric patterns that expressed the artistic ideas her husband was working out in paint on canvas. Her unusual ability to merge fine art with fashion marked the