BASEL.- In Theatre of Hunters, his first major solo exhibition outside of Portugal, Pedro Barateiro presents a sequence of installations that include “staged” sculptures, found objects, photographs, drawings, paintings and films that encompass the five connected galleries on the ground floor of the Kunsthalle Basel. Barateiro’s multifarious practice can be situated within a contemporary mode of post-studio production that is neither bound to one medium nor limited to any particular type of skilled object-making. Instead, the Lisbon-based artist primarily works with existing popular images, documents, literary texts, found objects and artworks gleaned from a diverse range of contexts. Barateiro’s practice is driven by a critical “re-reading” of those cultural and historical texts that play a major role in determining our perception of reality. Rather than mirroring or otherwise directly respon