VIENNA.- Morgan Fisher (b. Washington, D.C., 1942; lives and works in Los Angeles) studied art history at Harvard from 1960 to 1964 before attending film school in Los Angeles and going into film. He then worked in Hollywood for several years, mostly as an editor, an experience that shaped his experimental practice. In the 1970s, Fisher created several film installations that can be described as works of Expanded Cinema. From the mid-1990s, in a further development, he turned to monochrome painting and installations of monochrome paintings. In the 1970s, Fisher came to prominence as an experimental filmmaker in the context of structuralist film, where the primary focus was not on the content to be represented but on the medium itself—how the apparatus worked, its components, and the constraints imposed by the film industry such as the film reel, format, frame, emulsion