NEW YORK, NY.- The Museum of Modern Art, in association with the Friedrich-Wilhelm-Murnau Foundation in Wiesbaden and in cooperation with the Deutsche Kinemathek in Berlin, presents Weimar Cinema, 1919–1933: Daydreams and Nightmares, the most comprehensive exhibition surveying the extraordinarily fertile and influential period in German filmmaking between the two world wars. It was during this period that film matured from a silent, visually expressive art into one circumscribed yet enlivened by language, music and sound effects. This four-month series includes 75 feature-length films and 6 shorts―a mix of classic films and many motion pictures unseen since the 1930s―and opens with the newly discovered film Ins Blaue Hinein (Into the Blue) (1929), by Eugene Schüfftan, the special effects artist and master cinematographer originally renowned for his work on Fritz Lang‘s Metropolis (1927). Running November 17,