POUGUES-LES-EAUX.- In Europe, in our “post-industrial” era, we are increasingly distanced from the production of the goods we consume. Our downing of tools seems linked to a change in our relationship with the material world, provoking a more passive attitude towards the things with which we surround ourselves. When they break we throw them away, unable to fix them and unable (or unwilling) to understand how they work. In recent years, however, there has been a resurgence of interest in making, in notions of self-sufficiency and craftsmanship. While such notions may find particular resonance in these times of economic crisis, they are also part of a larger school of thinking that is reconsidering our relationship to work and production. This changing relationship with material production finds an echo in recent art history. The dematerialization of the art object – triggered by Marcel Duchamp at the start of the 20th century and labelled by art