ARLES.- The presence of a Léon Ferrari retrospective in a church is a paradox verging on the miraculous: here we have a famous, ninety-year-old artist who has devoted a large part of his working life to studying and implacably criticising the Catholic Church from its origins up to the present day. Ferrari’s œuvre foregrounds the contradictions of the human condition: the abuses of power and the intolerance, sexual repression, racism, violence and authoritarianism that characterise different kinds of organisations in contemporary society. Mixing humour and sarcasm in ongoing reinterpretations of history, Ferrari confronts us with all the ambiguity, cruelty and stupidity human beings are capable of, citing as examples the horrors of the Inquisition, the Nazi concentration camps, America’s impositions of military hegemony, the dictatorship in Argentina, and the multiple forms in which such abominations can resurface. Léon Ferrari is