LEEDS.- The display covers both the pre-war and post-war era concentrating on British loans as it challenges the familiar image of Henry Moore (1898-1986) as an artist. It features works loaned from Tate Britain, the Henry Moore Foundation, private collections from around the country and pieces returning to the UK from display at the Art Gallery of Ontario in Canada where the show has been since leaving Tate Britain last year. After surviving the horrors of the First World War where he served on the Western Front, the impact it left on Moore can clearly be seen in the display through his ‘Shelter Drawings’ from the Blitz on London, ‘The Helmet’ which he sculpted shortly before the Second World War began reflecting the mood of anxiety in the nation, and ‘Atom Piece’ which expresses the fears of nuclear annihilation which he produced in the 1960s during the Cold War. Moore’s obsession with the maternal relationship is also explored, with numerou