VIENNA.- ALBUM/TRACKS B may refer to a photo album which, empty at first, tells a “(hi)story” only once it is filled with pictures, a story to look at, read, and interpret from ever new points of view. The work of Ana Torfs (born in 1963, lives in Brussels) could also be understood as a tribute to certain personalities and events from history, literature, and film whose tracks— hence the title—and traces the artist pursues and endows with new life. Thus, Torfs frequently explores literary and historical material such as the Inquisition’s files on Joan of Arc (Du mentir-faux, 2000), the court records from the trial for the murder of Rosa Luxemburg and Karl Liebknecht (Anatomy, 2006), or Ludwig van Beethoven’s conversation books (Zyklus von Kleinigkeiten, 1998). The media that serve to convey these subjects are multifaceted reproductive techniques, ranging from film,