HAMBURG.- The exhibition “Cornet of Horse” features several installation settings by Berlin-based artist Henning Bohl (born in 1975) that are linked both in terms of content and in terms of recurring motifs and materials and the way these are employed. Besides referring to each other, Bohl’s works also contain numerous, often subtle references to other art (movements). While his use of references follows a certain logic, it does not necessarily aim to produce meaning. Bohl is more interested in creating arrangements that tell stories and in how they are told. The exhibition in Hamburg is centred around two objects that resemble tables insofar as they have four legs (made from Schultüten, paper cones that are filled with small gifts and given to German children on their first day of school), a horizontal frame (a stretcher frame of the type used for mounting canvasses) and an oversized