BREGENZ.- Cosima von Bonin is one of the most well-known artists of her generation. Especially since her participation in the last documenta, at which a large number of the works was spread over the entire course of the show, she is no longer an insider-tip and so-called artist’s artist. Nevertheless it is not easy to classify her artistic production. Even though in some of her works references to historical Conceptual Art and Minimal Art can be noticed, and critics like to cite her as an example of a feminist artist, her oeuvre eludes any straightforward label. She first drew attention at the beginning of the 1990s when, instead of showing works of her own at her New York solo exhibition, she invited other producers of culture such as art critics, musicians