NEW YORK, NY.-
In Achim Hochdörfer’s article in the
February 2009 Artforum entitled “A Hidden Reserve: painting from 1958 to
1965,”
the author names a number of painters included in this exhibition,
“Whose
practices are rich with implication.” Le Tableau, continuing the
conversation
begun by Hochdörfer, attempts to expand his time frame historically,
with a
particular focus on the contribution of French abstraction from the
post-war era
through the present. On view at Cheim & Read through 3 September,
2010.