NEW YORK, N.Y.- For her first solo museum exhibition in the United States, Berlin-based artist Haris Epaminonda (b. 1980, Cyprus) constructs a world based on connections between a three-channel video projection—part of her work titled Chronicles (2010)—and a museological-style installation of antique pottery, columns, plinths, niches, and pictures culled from old magazines and books. Among the books are travelogues about archeological sites that are visually related to one another but separated by centuries of history. Composed of short Super 8 films (transferred to video) that the artist shot over several years, Chronicles eschews narrative in favor of fragmented images that probe the nature of time and assert the permeability of memory. One film shows ancient artifacts from different cultures either isolated against colored backgrounds or in images torn from the pages of an art history book, subtly animated by the