SANTA MONICA, CA.- Jeffrey Wisniewski is an artist whose work becomes more relevant as news headlines shape the histories that describe society today. His art is not strictly political rather his work regularly employs objects linked to commodities, such as oil drums, corn, or solar panels which are a signature motif throughout his work. In past seminal works, Wisniewski sent an entire American colonial house through a wood chipper, in another project he dropped a one ton steel trough attached to a lace parachute out of an airplane. Weighty judgments do not feign the pretense of the serious in Wisniewski’s artmaking, rather he lets the story tell itself. Like a portrait painter whose subject slips in and out of view, Wisniewski brings us context without a subject. In his sculptures, he leaves us with the shell of a person, the detritus of their personalities left behind in their clothing and their settings. It is a person who has